Thomas Adès's "The Exterminating Angel," based on the eponymous surrealist film by Luis Buñuel, will receive its long-awaited U.S. premiere at the Metropolitan Opera House in New York City on Thursday, October 26th.
Today there is nowhere one can go, it seems, without the constant presence of bad music. It’s everywhere—in every bar, restaurant, and department store; on every television commercial, online video, or Hollywood film. Wherever we go, we are relentlessly besieged by some of the cheapest, most idiotic music mankind has ever devised. Thus, as I battle this daily onslaught of inescapable cacophony, I often find myself wondering: when did music get so bad?
“The Star-Spangled Banner” has played at countless ball games, political events, and, for those old enough to remember, network sign-offs. It has provided the soundtrack for many teary-eyed moments in our nation’s history, from Olympic victories to Presidential inaugurations. But does it really deserve to be our national anthem?